It’s a fact of life that human hands are difficult to draw and model. I was reminded of this as I perused my photos from St. Mary’s Catholic Cemetery in Washington.
Figure 1. Peniston monument. St. Mary’s Catholic Cemetery, Washington, D.C. Photo: author. 
Figure 2. DiBuchianico monument. St. Mary’s Catholic Cemetery, Washington, D.C. Photo: author.
Two handsome mid-century monuments (figures 1, 2), well past the neoclassical and even art deco periods. The Peniston sculptor incised a fairly decent pair of hands in the figure of Jesus in Gethsemone (figure 3).
There’s one stray bit, I think, at about the knuckle of the little finger of the right hand, but it’s not a bad rendition of interlocked fingers, especially at a distance.
By contrast, the hands of the DiBuchianico Jesus (figure 4), in the same (but reflected) pose are, ahem, ‘mannered,’ to say the least. The cutter knew that he was not up to interwoven fingers—no problem with a little self-knowledge there. But everything about the proportions and articulation of these hands is pretty badly off. It’s a pity: the cutter has a neat way of doing drapery with some big looping curves.
The cover photo is of the hands of the subject of an Attic funerary stele in the Archaeological Museum of Piraeus. The photo is by Giovanni dall’Orto (with permission). Wikimedia Commons.
Addendum
With a name like Schmucker, you’d think it had to be good, but in fact there’s something desperately wrong with Jesus here (beyond the fact that he’s been rendered in cartoon form).
